Theaster Gates

Theaster Gates is an artist whose practice finds roots in conceptual formalism, sculpture, space theory, land art, and performance. Trained in urban planning and within the tradition of Japanese ceramics, Gates's philosophy is guided by the concepts of Shintoism, Buddhism, and Animism.  Foundational to Gates's practice is his custodianship and critical redeployment of culturally significant Black objects, archives, and spaces. Through the expansiveness of his approach, Gates extends the life of disappearing and bygone histories, places, traditions, and loved ones.

Gates has exhibited and performed at the Albuquerque Foundation, Sintra, Portugal (2024); The LUMA Foundation, Arles, France (2023, 2024); The New Museum, New York, (2022); The Aichi Triennale, Tokoname (2022); The Serpentine Pavilion, London (2022); The Victoria and Albert Museum, London (2021); Whitechapel Gallery, London (2013 and 2021); Tate Liverpool (2020); Haus der Kunst, Munich (2020); Walker Art Center, Minneapolis (2019); Palais de Tokyo, Paris (2019); Sprengel Museum, Hannover, Germany (2018); Kunstmuseum, Basel, Switzerland (2018); National Gallery of Art, Washington, DC (2017); Art Gallery of Ontario, Canada (2016); Fondazione Prada, Milan, Italy (2016); Kunsthaus Bregenz, Austria (2016); Punta della Dogana, Venice, Italy (2013); and dOCUMENTA (13), Kassel, Germany (2012).

Gates is the recipient of numerous awards and honorary degrees including a Doctorate of Arts from Knox College (2025); the Guggenheim Fellowship (2025); Isamu Noguchi Award (2023);  National Buildings Museum Vincent Scully Prize (2023); Frederick Kiesler Prize for Architecture and the Arts (2022); an Honorary Fellowship from the Royal Institute of British Architects (2021); the World Economic Forum Crystal Award (2020); J.C. Nichols Prize for Visionaries in Urban Development (2018); Nasher Sculpture Prize (2018); Sprengel Museum Kurt Schwitters Prize (2017); and Artes Mundi 6 Prize (2015).